FREE RESOURCES FOR GUITAR- Everything


There's loads of free guitar resources on here, scales chords and more, so check them out!

There's page after page of scales for guitar and lots more getting posted every week. Any scale you could want to play on guitar will be here for you before long and all free of charge.

If you found anything here useful, then share the joy and post some links!





FOR SEVEN STRING GUITAR

CLICK HERE FOR RESOURCES

FOR EIGHT STRING GUITAR

CLICK HERE FOR RESOURCES


PENTATONICS


PENTATONIC SCALES FOR GUITAR: A Brief Introduction.

MAJOR AND MINOR PENTATONIC SCALE DIAGRAMS

THREE NOTE PER STRING PENTATONIC SCALE SHAPES

THREE OCTAVE, THREE NOTE PER STRING PENTATONIC SCALES (All five shapes)

THREE OCTAVE, THREE NOTE STRING PENTATONIC SCALES (Slightly different layout to the previous ones.)

TWO NOTE PER STRING PENTATONIC LICKS


BLUES SCALES



BLUES SCALES: Minor and Major Blues scales mapped out in all positions, as intervals and dots.

MINOR BLUES SCALES AS THREE OCTAVE, THREE NOTE PER STRING PATTERNS.

THREE NOTE PER STRING MINOR BLUES SCALES. A summary

MINOR BLUES SCALE: Large diagrams showing all the positions slotting together over the neck.

MAJOR BLUES SCALE: Large diagrams showing all the positions slotting together over the neck.

PRINTER FRIENDLY A4 SIZED VERSIONS OF THE PREVIOUS TWO. 


THE VOODOO BLUES SCALE


THE VOODOO BLUES SCALE. 

VOODOO BLUES- 3NPS Three octave patterns.


 ARPEGGIOS

STRING SKIPPING ARPEGGIO PATTERNS



MAJOR/MINOR/MODES


MODES: A Brief Summary. (Includes note per string shapes, with modal spellings and triads)

THE IONIAN MODE or MAJOR SCALE

THE DORIAN MODE  

THE PHRYGIAN MODE 

THE LYDIAN MODE. 

THE MIXOLYDIAN MODE. 

THE AEOLIAN MODE OR NATURAL MINOR SCALE. 

THE LOCRIAN MODE 

MODES: Three octave scale shape summary. 


HARMONIC MINOR

THE HARMONIC MINOR SCALE: All 7 positions and as 3 octave scale.

LOCRIAN NATURAL 6- The 2nd mode of Harmonic Minor. 

IONIAN #5- The 3rd mode of Harmonic Minor. 

DORIAN #4- The 4th mode of Harmonic Minor.

DOMINANT PHRYGIAN- The 5th mode of Harmonic Minor. 

LYDIAN #2- The 6th mode of Harmonic Minor. 

ATERED bb7- The 7th mode of Harmonic Minor.


MELODIC MINOR

THE MELODIC MINOR SCALE: All 7 positions and as 3 octave scale. 

DORIAN b2-  The 2nd mode of Melodic Minor. 

LYDIAN AUGMENTED- The 3rd mode of Melodic Minor.

LYDIAN DOMINANT or LYDIAN b7- The 4th mode of Melodic Minor.

THE HINDU SCALE- The 5th mode of Melodic Minor. 

LOCRIAN NATURAL 2ND- The 6th mode of Melodic Minor. 

SUPER LOCRIAN or THE ALTERED SCALE- The 7th mode of Melodic Minor 


THE DIMINISHED SCALE

THE DIMINISHED SCALE (WHOLE/HALF)

THE DIMINISHED SCALE (HALF/WHOLE)

THE WHOLE TONE SCALE

THE WHOLE TONE SCALE. 
  
THE AUGMENTED SCALE

THE AUGMENTED SCALE.


HARMONIC MAJOR 

 THE HARMONIC MAJOR SCALE.

DORIAN b5- The 2nd mode of Harmonic Major. 

PHRYGIAN b4- The 3rd mode of Harmonic Major. 

LYDIAN b3- The 4th mode of Harmonic Major.

MIXOLYDIAN b2 or DOMINANT b2- The 5th mode of Harmonic Major. 

LYDIAN AUGMENTED #2- The 6th mode of Harmonic Major. 

LOCRIAN bb7- The 7th mode of Harmonic Major. 


HUNGARIAN MINOR

THE HUNGARIAN MINOR SCALE.

THE ORIENTAL SCALE- The 2nd mode of Hungarian Minor.

IONIAN AUGMENTED #2- The 3rd mode of Hungarian Minor.

LOCRIAN bb3 BB7- The 4th mode of Hungarian Minor.

DOUBLE HARMONIC- The 5th mode of Hungarian Minor. 

LYDIAN #6 #2- The 6th mode of Hungarian Minor.

ALTERED NATURAL 5 bb7- The 7th mode of Hungarian Minor.
   
HUNGARIAN MAJOR

THE HUNGARIAN MAJOR SCALE 

ALTERED bb6 bb7- The 2nd mode of Hungarian Major.

LOCRIAN NATURAL 2 NATURAL 7- The 3rd mode of Hungarian Major. 

ALTERED NATURAL 6- The 4th mode of Hungarian Major. 

MELODIC AUGMENTED- The 5th mode of Hungarian Major.

DORIAN b2 #4- The 6th mode of Hungarian Major.  

LYDIAN AUGMENTED #3- The 7th mode of Hungarian Major.


IONIAN b5

IONIAN b5.  

DORIAN b4- The 2nd mode of Ionian b5. 

PHRYGIAN bb3- The 3rd mode of Ionian b5. 

LYDIAN b2- The 4th mode of Ionian b5. 

SUPER LYDIAN AUGMENTED- The 5th mode of Ionian b5. 

AEOLIAN bb7- The 6th mode of Ionian b5. 

LOCRIAN bb6- The 7th mode of Ionian b5.


THE PERSIAN SCALE

THE PERSIAN SCALE.


LOCRIAN NATURAL 7

LOCRIAN NATURAL 7. 

IONIAN #6- The 2nd mode of Locrian Natural 7 

DORIAN AUGMENTED- The 3rd mode of Locrian Natural 7.

PHRYGIAN #4- The 4th mode of Locrian Natural 7. 

LYDIAN #3- The 5th mode of Locrian Natural 7.

DOMINANT #2- The 6th mode of Locrian Natural 7. 

ALTERED ALTERED- The 7th mode of  Locrian Natural 7. 


NEAPOLITAN MINOR

THE NEAPOLITAN MINOR SCALE

LYDIAN #6- The 2nd mode of Neapolitan Minor. 

MIXOLYDIAN #5- The 3rd mode of Neapolitan Minor.

AEOLIAN #4- The 4th mode of Neapolitan Minor. 

LOCRIAN NATURAL 3- The 5th mode of Neapolitan Minor. 

IONIAN #2- The 6th mode of Neapolitan Minor.

ALTERED bb3 bb7- The 7th mode of Neapolitan Minor. 


NEAPOLITAN MAJOR

THE NEAPOLITAN MAJOR SCALE.

LYDIAN AUGMENTED #6- The 2nd mode of Neapolitan Major. 

LYDIAN DOMINANT AUGMENTED- The 3rd mode of Neapolitan Major. 

LYDIAN MINOR- The 4th mode of Neapolitan Major.

MAJOR LOCRIAN- The 5th mode of Neapolitan Major. 

ALTERED NATURAL 2- The 6th mode of Neapolitan Major. 

ALTERED bb3- The 7th mode of Neapolitan Major. 


COMPOSITE II SCALE

THE COMPOSITE II SCALE 


THE ENIGMATIC SCALE

THE ENIGMATIC SCALE. 


THE ENIGMATIC MINOR SCALE

ENIGMATIC MINOR SCALE


CHROMATIC SCALES

THE CHROMATIC SCALE FOR ELECTRIC GUITAR


THE EIGHT NOTE SPANISH SCALE 

THE EIGHT NOTE SPANISH SCALE/EIGHT TONE SPANISH SCALE 

IONIAN ADD b3- The 2nd Mode of Eight Note Spanish 

DORIAN ADD b2- The 3rd Mode of Eight Note Spanish 

AUGMENTED LYDIAN ADD b2- The 4th mode of Eight Note Spanish

PHRYGIAN ADD 7- The 5th mode of Eight Note Spanish

LYDIAN ADD b7- The 6th mode of Eight Note Spanish.

MIXOLYDIAN ADD b6- The 7th mode of Eight Note Spanish 

AEOLIAN ADD b5- The 8th mode of Eight Note Spanish.


THE BEBOP DOMINANT SCALE

THE BEBOP DOMINANT SCALE 

AEOLIAN ADD6/DORIAN ADD b6- The 2nd mode of Bebop Dominant.

PHRYGIAN ADD b5/LOCRIAN ADD 5- The 3rd mode of Bebop Dominant.

IONIAN ADD b5- The 4th mode of Bebop Dominant. 

MIXOLYDIAN ADD b3/DORIAN ADD 3- The 5th mode of Bebop Dominant.

AEOLIAN ADD b2/PHRYGIAN ADD 2- The 6th mode of Bebop Dominant.

LYDIAN ADD b2- The 7th mode of Bebop Dominant

LOCRIAN ADD 7- The 8th mode of Bebop Dominant.

  
THE BEBOP LOCRIAN NATURAL 2 SCALE

THE BEBOP LOCRIAN NATURAL 2 SCALE 

SUPER LOCRIAN ADD 6- The 2nd mode of Bebop Locrian Natural 2 

MELODIC MINOR ADD b6- The 3rd mode of Bebop Locrian Natural 2 

DORIAN b2 ADD b5- The 4th mode of Bebop Locrian Natural 2 

IONIAN b5 ADD b6- The 5th mode of Bebop Locrian Natural 2 

LYDIAN b7 ADD b3- The 6th mode of Bebop Locrian Natural 2 

HINDU ADD b2- The 7th mode of Bebop Locrian Natural 2 

LYDIAN #2 ADD b2- The 8th mode of Bebop Locrian Natural 2


THE BEBOP DORIAN SCALE

THE BEBOP DORIAN SCALE 

PHRYGIAN ADD 6- The 2nd mode of Bebop Dorian 

LYDIAN ADD b6- The 3rd mode of Bebop Dorian 

MIXOLYDIAN ADD b5- The 4th mode of Bebop Dorian 

AEOLIAN ADD 3- The 5th mode of Bebop Dorian. 

LOCRIAN ADD 2- The Sixth mode of Bebop Dorian

IONIAN ADD b2- The 7th mode of Bebop Dorian

SUPER LOCRIAN ADD 7- The 8th mode of Bebop Dorian


THE BEBOP MAJOR SCALE 

THE BEBOP MAJOR SCALE 

DORIAN ADD b5- The 2nd mode of Bebop Major.  

PHRYGIAN ADD 3- The 3rd mode of Bebop Major 

LYDIAN ADD b3- The 4th mode of Bebop Major 

MIXOLYDIAN ADD b2- The 5th mode of Bebop Major 

LYDIAN AUGMENTED #2 ADD b2- The 6th Mode of Bebop Major

AEOLIAN ADD 7- The 7th mode of Bebop Major

LOCRIAN ADD 6- The 8th mode of Bebop Major
  
THE PROMETHEUS SCALE

THE PROMETHEUS SCALE. 

THE TRITONE SCALE

THE TRITONE SCALE.

THE TWO SEMITONE TRITONE SCALE

THE TWO SEMITONE TRITONE SCALE. 
  
THE PELOG SCALE 

THE PELOG SCALE. 

THE KUMOI SCALE

THE KUMOI SCALE 

THE HIROJOSHI SCALE 

THE HIROJOSHI SCALE.

THE IWATO SCALE 

THE IWATO SCALE.

THE IN-SEN SCALE

THE IN-SEN SCALE.


THE YO SCALE

THE YO SCALE.


THE IN SCALE

THE IN SCALE.


THE DOMINANT SUS SCALE

THE DOMINANT SUS SCALE

THE DOMINANT PENTATONIC SCALE

THE DOMINANT PENTATONIC SCALE. 

THE DORIAN PENTATONIC SCALE- Mode 4 of the Dominant Pentatonic Scale. 


THE MIXOLYDIAN PENTATONIC SCALE

THE MIXOLYDIAN PENTATONIC SCALE.


CHORDS

TRIADS AND CHORD SCALES FOR GUITAR

  
TECHNIQUE/EXERCISES


303 PICKING LICKS/PICKING SEQUENCES 

PINKY WORKOUT LICK

SIMPLE RIGHT HAND PICKING EXERCISES

DIATONIC WARM-UP


MISCELLANEOUS


THE NOTES ON THE GUITAR FRETBOARD DIAGRAMS










8 comments:

  1. the best data, dude! Thanks for sharing!!

    ReplyDelete
    Replies
    1. Thanks Martin,
      keep checking back though, there's loads more stuff to come, and please, feel free to posts links to my stuff any where you can!
      -Rob

      Delete
  2. super stuff!
    wikipedia directed me here.
    There is endless amount of misinformation on Google, it's overwhelming
    I'm a total beginner - I only own laptop, acoustic guitar and no musical education whatsoever.
    silly question - all those scales are played on standard tuning, correct?
    I'm trying to learn simple blues
    Martin

    ReplyDelete
    Replies
    1. I'm glad you're finding it useful.
      Yes, all the scale shapes here assume standard tuning unless otherwise stated.
      -Rob

      Delete
  3. ROB I WAS SEARCHING AT LEST 2 YEARS FOR THE BEST ON LINE SCALE CHARTS AND BELIEVE ME THIS IS THE BEST IMHO, THERE ARE SOME CLOSE ONES ANYHOW THIS IS NO 1, WHAT TO SAY THANK YOU THANK YOU MILLION TIMES , IT IS AMAZING HELP FOR ME NO MATTER THAT I HAVE JAZZ ACADEMY IN MY POCKET BUT I USE THIS CHARTS FOR PRACTICING, ALSO THIS IS HUGE HELP FOR SOME KIDS OUT THERE WHO ARE JUST STARTING AND PROS LIKE ME, JAZZ MUSICIAN ARE FAR FROM RICH ONES FOR SURE YOU KNOW THAT I ...BUT I HONESTLY WISH YOU ALL THE BEST AND THAT GOD OR WHO EVER - SOME UNIVERSAL ENERGY RETURN YOU FOR GOOD THIS HUGE FAVOR YOU ARE DOING FOR GUITAR COMMUNITY, WISH YOU WHAT EVER YOU NEED THE MOST TO BECAME REALITY, CHEERS!

    ReplyDelete
  4. Very comprehensive, glad I found you. I know you put up the three note per string diatonic scales in intervals. I was wondering if you could do the same with the caged system outlining the chord tones in each shape. Also Could you put up string skipping arpeggios using neck diagrams instead of hand written? Great site, great work thanks a lot.

    ReplyDelete
  5. Gracias muy bueno tu blog. Saludos desde Venezuela

    ReplyDelete